A quiet place 2 full movie link9/21/2023 ![]() ![]() (Why didn't they just live by the waterfall?) But in the moment it feels satisfying, smart and believable. OK, so like the first film, the various solutions the characters adopt might not hold up to scrutiny. Sure, people might have stood more of a chance if they tidied the loose crap off their desks, and why is the fate of humanity pinned to some cryptic clue? They make mistakes but never do any dumb stuff just to advance the plot. Still, it does build on the pleasures of the first film by showing characters coming up with capable and creative solutions to the awful situation. This second entry misses the opportunity to reveal how others survive and communicate without those specific skills. Part 1 found its thrills by showing a family already equipped to survive this specific disaster. There are flashes of nasty macabre horror, but the movie ends up tip-toeing around them to stay the right side of a mass audience. But while Krasinski is happy to throw some brutal obstacles at the non-infant characters, and protecting the baby is a major driver of the characters' actions, the film doesn't follow through on the danger posed by a screaming baby. In both films the presence of a baby is set up to be a huge problem because the little mite could scream uncontrollably at any moment. Like the first outing, this sequel in some respects wants to have its cake and eat it too. ![]() (Here's the ending explained, with spoilers!) If you think about it afterward when your heart rate has returned to normal, the story loops back without introducing any major twist, ending with a whimper rather than a bang. You might expect a creature feature sequel to level up a bigger, badder strain of monsters - they fly now! - but this second outing is more of a continuation than an escalation. But ultimately it fudges the world-building with only vague hints about the causes or consequences of the aural apocalypse. Part 2 does make use of a wider range of environments for more nerve-shredding set pieces. It's a good idea, but it's still only one idea. The sequel stretches rather than enlarges the core idea. But A Quiet Place Part II doesn't take advantage of its unique story world. The pleasure of TV show The Walking Dead, for example, is seeing the various communities that cope and restructure in wildly different ways. ![]() What does it take to survive? Can empathy and hope endure, or does saving your skin mean losing your humanity? These are all familiar questions from zombie movies and the like, and A Quiet Place II doesn't put much effort into imagining what's happened in the wider world so it sidesteps comparisons with other post-apocalyptic societies. ![]() And just as bad as the threat itself is the constant stress about how other people are reacting.īy asking how people respond to that threat, part 2 takes a step into more familiar post-apocalyptic genre territory. Having gotten used to being locked down in their bubble, the family takes its first tentative steps venturing out, when they must creep through the world without touching anything as the most innocuous of objects and the most everyday urges could kill. Survival depends on the smallest, simplest precautions. The cataclysm begins with vague and wildly misinterpreted news reports from China before dramatically arriving closer to home. There's a great shot where the camera swirls in from above a terrified character, a jarring angle that meshes the visuals with the sound to immerse you in the character's disorientation and fear.Īlthough conceived well before the pandemic, the Quiet Place movies have taken on a new resonance in the COVID era. In the tensest moments the camera creeps remorselessly, the frame filling with agonizingly slow movement, and at its peak crosscutting between different nerve-racking story strands to ratchet up the tension. Polly Morgan's cinematography marries beautifully with the sound design and music. If anything, this second outing shows these films are more than just gimmicky sound design. What was innovative and unique then is deployed lightly here, although Krasinski isn't above busting out the occasional cheap jump scare just to keep you on your toes. From the chaotic opening, the film deftly switches between noisy carnage and nail-biting silence, although it isn't built around the deaf daughter's noiseless perspective as much as the first film. Like the first film, sound design is key, and expertly done. Cillian Murphy goes from blinders to deafness. ![]()
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